Orchestra tools orchestral strings run 2 kontakt

We divided the musicians into two groups of players. A multiscript will make natural tuning- and timing-discrepancies possible. For this new runs-patch legato-performances up to the fifth we have recorded everything twice for repetitions and the multiscript will make 4 roundrobins possible. Ueberschall - Pure. Ueberschall - Reggae. Ueberschall - Retrofit Series Sensory Disruption v1. Ueberschall - Sounds. Ueberschall - Soundscapes. Ueberschall - Urban.

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Acustica Audio Nebula3 Pro v1. Audiomodern Abuser v2. At its core, Orchestral Strings is a hugely capable full-divisi full-size Strings Section, recorded with the fantastic Capellen Orchestra in Zlin, Czech Republic, and edited with the utmost care to preserve all the details of the performances.

We covered all the most-used articulations in up to four velocities, and we devised a 'shared tail' system for the shorts that provides you with more round robins without increasing the memory load by too much. There is Poly-Legato and Auto Divisi to ensure the most realistic sound imaginable. No corners were cut in making this product, and it will evolve for many years to come - we still have some surprises up our sleeves that will enhance your user experience and provide you with tools that are useful and fun in equal measures.

Included in the instrument are some powerful midi engines, with midi import, real-time midi manipulation, a piano roll editor, and midi export. The possibilities are near endless, yet very easily accessible if you just want to scratch the surface. The Runs engine allows you to play chords and trigger runs that adhere to these chords just by playing a start and an end key. The Phrases engine at its core works as a sketchpad for Patterns, with 12 patterns autosaved with your instrument or DAW session and a potential 12 x 12 x 12 phrases saved away to be shared between your instruments and projects.

These patterns are then playable in a fashion very similar to the way our Phrase-Based instruments work, and you can even drag in phrases from the Phrase-Based products you already own and benefit from the huge flexibility boost this Strings instrument offers. You can then even drag out the midi for entire played passages including any chord changes, added Harmony etc.

The instrument has three main modes: Play , Runs and Phrases. Switch between them by clicking them in the GUI or with the orange keyswitches on the lowest three keys of your 88 Key keyboard. The main structure in the user interface is visualised by six blocks that correlate with the six keyswitches on the white keys C-1 to A There are two different types of Blocks in this instrument.

Access the five primary modes by clicking or using the keyswitches as you would do to change a loaded articulation. Some modes have different options at the bottom - access those either by clicking or with the yellow keyswitches at the top of your keyboard. In sustained articulations, this will also X-fade between the various recorded dynamic layers.

In Short articulations, you control most of the dynamics by played velocity. The length of that time is determined by the bottom option which can also be selected with the yellow keyswitches on the top end of the keyboard. These dynamics work across articulations so you can have a 'tremolo decrescendo' or an 'expressive sustains sfz crescendo' etc. This block will stay active when selected, so check its setting if you hear any unexpected behaviour with velocities.

You can stack two articulations together and morph between them. You can also stack articulations by holding a keyswitch, then selecting the other one. For example, you hold down the C-1 key and then press D -1 and C You can adjust the volume mix between the two articulations by dragging the percentage up or down or in real-time by using the Morph controller that you can assign in the Options Menu.

Tip: This is useful for crossfading between articulations, for instance, if you want variable vibrato or a smooth transition from Sustain to Tremolo. It can also be used to add some punch to a sustain by adding a staccato or staccatissimo.